The cover illustration for the Revolver album was created by artist and bassist Klaus Voormann. German-born Voormann was a friend of the Beatles, dating back to their early days when they played at the Star Club in Hamburg, Germany. In 1966, Voormann was asked by John Lennon to design the album sleeve for Revolver. Klaus came up with a “scrapbook collage” for the cover. The band and their manager, Brian Epstein, loved the result. Voormann was paid £40 for the design. He would later receive a Grammy Award for Best Album Cover, Graphic Arts for this work.
Over 20 years later, Voormann would design the cover art for George Harrison’s 1988 single, “When We Was Fab”. This design included the image of Harrison from the Revolver cover along with an updated drawing in the same style.
In 1995, Voormann designed the covers for The Beatles Anthology albums for Apple Records. He, and fellow artist Alfons Kiefer, painted the covers.
Klaus was the bassist for the British band Manfred Mann, and later a session player and record producer. He occasionally played bass with some of the ex-Beatles’, either for studio recordings or live performances, and was a member of John Lennon and Yoko Ono’s Plastic Ono Band.
Billy Preston played the organ on the song “Let It Be” and the Fender Rhodes electric piano on “Get Back” and “Don’t Let Me Down” during the recording of the Let It Be album and film (earlier called Get Back). George Harrison brought Preston in to temporarily ease some of the tension in the studio during the tumultuous sessions. Also, the Beatles intended to record the tracks “live”, with no overdubbing, so it helped to have a fifth musician playing keyboards. At one point during the sessions, John Lennon suggested that Billy could join the band as the “Fifth Beatle”, but Paul McCartney nixed the idea saying that it was bad enough with four.
The “Get Back”/”Don’t Let Me Down” single was credited to “The Beatles with Billy Preston”. This was the only time an outsider was given this type of credit on an official Beatles-sanctioned release. Tony Sheridan had shared credit on some Hamburg-era recordings, but these were unsanctioned reissues on which the Beatles were primarily the backing group.
Preston also played Hammond organ on the tracks “I Want You (She’s So Heavy)” and “Something” that appeared on the Abbey Road album.
The Beatles first met Billy Preston in 1962 when he was part of Little Richard’s touring band. Manager Brian Epstein had organized a Liverpool show in which the Beatles opened for.
Cilla Black’s debut single was “Love of the Loved”, a Lennon-McCartney composition mainly written by Paul McCartney. Black (born Priscilla White) was contracted with manager Brian Epstein as his only female client. George Martin, who signed Cilla to Parlophone Records, produced her recording of the song. Released September 27, 1963, the single peaked at a modest number 35 on the UK Singles Chart, and was not to be one of her bigger hits.
“Love of the Loved” was one of Paul McCartney’s earliest compositions and the Beatles performed it in their live act in their early years. The band recorded the song during their 1962 audition for Decca Records, but it has never been included in any of their official releases. It was even left off of 1995′s Anthology 1 (compilation CDs that covered 1958-1964), supposedly vetoed from inclusion by McCartney.
Jimmy Nicol temporarily replaced Ringo Starr after he collapsed and was hospitalized with tonsillitis on June 3, 1964. It was the eve of The Beatles’ 1964 Australasian tour. Rather than cancel part of the tour, manager Brian Epstein and producer George Martin decided to use a stand-in drummer to take Ringo’s place. Martin suggested Nicol because he had recently drummed on a Tommy Quickly session. Also, Jimmy was familiar with the Beatles’ songs as he had drummed on an album of Beatle covers called “Beatlemania”. With a last-minute phone call from George Martin, Nicol rushed over to Abbey Road Studios, where he and The Beatles did a quick rehearsal of six songs from their tour repertoire. The next day he would be playing live with them in Copenhagen, Denmark.
On stage, Jimmy wore Ringo’s suit after some alterations. From June 4-13, 1964, Nicol played ten shows in six locations with The Beatles in Denmark, Holland, Hong Kong, and Australia. On June 14, Starr returned to the band in Melbourne, Australia. Nicol said he was “praying he [Starr] would get well at the same time I was hoping he would not want to come back.” For his efforts, Brian Epstein presented him with a check and a gold Eternamatic wrist watch inscribed: “From The Beatles and Brian Epstein to Jimmy – with appreciation and gratitude.”
In later years, it was rumored that Jimmy Nicol had died in 1988, but a 2005 report by the Daily Mail confirmed that he was actually still alive and living as a recluse in London.